Katty Kay in Washington and Christian Fraser in London report on the events that are shaping the world.
The world's most famous study of the human body is Gray's Anatomy. The accuracy of the descriptions and the stark beauty of the illustrations made it an instant bestseller. Adam Rutherford tells the story of how, in just three years, Dr Henry Gray and Dr Henry Carter put it together based on dissections they personally performed.
In this final episode, Dan Snow, Anita Rani, Robert Llewellyn and John Sergeant consider the challenges faced by the Chhatrapati Shivaji Terminus in Mumbai and ask what the future holds. Nine people a day die on Mumbai's railway lines. Anita tackles the railway's head of safety on the measures they're taking to reduce this fatality rate.
Dan meets two eyewitnesses to 2008's terror attacks that claimed the lives of 52 people at the station. He also takes a ride on Mumbai's newly built Metro to consider what the future could hold for the city's 5.5 million rail commuters.
John Sergeant is in the Western Ghats, one of India's biggest mountain ranges, revealing the heavy human cost of building the line that connects Mumbai to the south and east of India.
Robert fulfills a childhood dream and becomes a train driver for a day, and Anita tries her hand at station announcing.
British-born Chinese vlogger Shu Lin explores the history of the Chinese community in the UK from the 1950s through to the present day. With film and TV archive, and first-hand accounts, she discovers how Chinese migrants transformed Britain’s bland post-war dining scene. From restaurants to television cooking shows, the eating habits of a nation were changed forever.
Shu Lin finds out how an area of Soho became the vibrant Chinatown we know today and traces how the British Chinese community has gone from relying heavily on the restaurant trade to achieving outstanding business and educational success.
In April 1955 Ruth Ellis shot her lover David Blakely dead. It's a case that shocked the nation and it still fascinates today. It has its place in ushering in the defence of diminished responsibility and the eventual abolishment of capital punishment. We all think we know the story, but why, when it was seemingly such an open and shut case, does it still divide opinion on whether Ruth Ellis got the justice she deserved?
Film-maker Gillian Pachter wants to find out. The result is a fresh investigation with fascinating true-crime twists and turns that also shines a unique light on attitudes to class, gender and sex in 1950s London.
In episode two Gillian turns her attention to Ruth's trial which took just a day and a half. She starts with a tape-recorded conversation from the 1980s between Ruth's son Andre and the barrister who led the prosecution. Andre expresses doubts about his mother's trial, calling into question her state of mind and whether she was a cold-blooded killer.
Gillian is interested to know whether the defence shared these concerns and she turns her attention to Ruth's solicitor. There are immediate and compelling questions about how he was hired, by whom and why. Ultimately it seems he was determined that the jury should look beyond the tabloid stereotype of Ruth to understand her troubled background - that way, they'd be inclined to recommend mercy and save Ruth from execution. But Ruth and her barrister had other ideas - while she refused to play ball he pursued a defence strategy so risky that the judge was forced to put his foot down.
There's the ongoing question of Ruth's alleged accomplice and how much Ruth's defence team knew of his involvement and continuing revelations from the forgotten witness, Ruth's son Andre. Gillian draws on expert opinion from top legal minds who know the case intimately, and they paint a portrait of a woman trapped not only by the constraints of 1950s society but by the narrow parameters of English law.
To celebrate 30 years of EastEnders, join soap royalty Barbara and Pam as they relive iconic Peggy and Pat moments and share some afternoon tea!
Drama serial about life in an East London square. In a special one-hour slice of Walford life, there are fireworks of a different kind as Albert Square celebrates bonfire night. Originally aired on 2 November 2000.
Andrew Graham-Dixon explores how royal collecting has changed since the days of Queen Victoria. This is a story of the British monarchy's remarkable survival, while elsewhere the crown heads of Europe crumbled in the face of world wars and revolutions. But it is also an age when women took charge of royal collecting; from Victoria to Elizabeth II, queens and queen consorts have used art to steady the ship of monarchy during this uncertain age.
It's one of the curiosities of the Royal Collection that as the monarchy's power diminished, so too did the objects they collected. Gone were epic canvases, instead came objects of exquisite, delicate and intimate beauty. Andrew marvels at a selection of the royal family's collection of Faberge jewellery - one of the greatest in the world - that includes the Mosaic Egg from 1914. So taken were Edward VII and his wife Queen Alexandria with the works of Peter Carl Faberge, that the jeweller opened a London shop to service the demands of royal clientele.
And then there's Queen Mary's Dolls' House - presented to George V's queen to thank her for her steadfastness during the first world war, the Dolls' House is an astonishing artistic collaboration by over 1,500 people and companies, replete with books containing new stories by authors like Arthur Conan Doyle, tiny champagne bottles filled with real champagne and even mini shotguns that can be broken, loaded and fired. More than just a dolls' house, this is a three-dimensional archive of a vanished artistic age.
The Collection reveals fresh insights into these remarkable women, in particular HM the Queen Mother, who loved art and collected with flair. At Clarence House, Andrew discovers a surprising collection of contemporary British art that she assembled in the 1930s and 1940s, including works by Walter Sickert, LS Lowry, Paul Nash and Augustus John. Andrew traces her greatest commission, a series of 26 paintings of Windsor Castle by John Piper, painted during the Second World War. With Windsor at risk of being bombed, Piper created an eerie dreamscape filled with black skies and foreboding.
Andrew also brings royal collecting up to date. From the outset Elizabeth II's priorities had been focused on preserving and displaying the Collection, and Andrew shows how one of the key events in its recent history - the Windsor Castle fire - was an unlikely catalyst in the reform of the Collection's care. Concluding his exploration, Andrew meets HRH the Prince of Wales to view two of his recent commissions, powerful portraits of veterans of the Battle of Britain and the D-Day landings, and to discuss the continued importance of this remarkable collection.
The 1890s was the decade when science, entertainment, art and morality collided - and the Victorians had to make sense of it all. Actor Paul McGann discovers how the works of HG Wells, Aubrey Beardsley and Oscar Wilde were shaped by fears of moral, social and racial degeneration.
Paul, seated in Wells’s time machine, sees how the author’s prophecies of a future in which humanity has decayed and degenerated highlighted the fears of the British Empire. Paul finds out how these anxieties were informed by new scientific theories based on Charles Darwin’s theory of evolution. Paul learns how Darwin’s cousin Francis Galton sought to improve the genetic stock of the nation, through a project he coined as ‘eugenics’.
Another of the decade’s prominent scientific thinkers – Austrian physician Max Nordau – declared that it was art and culture, and their practitioners – the aesthetes and decadents – that were causing Britain’s moral degeneration, singling out Oscar Wilde as the chief corrupting influence. Paul explains how Wilde sought to subvert traditional Victorian values. Tucked away in one of Wilde’s haunts - the famous Cheshire Cheese Pub on Fleet Street - Paul hears from Stephen Calloway about how Aubrey Beardsley – the most decadent artist of the period – scandalised society, in much the same way as Wilde, through his erotic drawings. Wilde and Beardsley were not alone in being parodied by Punch Magazine. Historian Angelique Richardson shows Paul caricatures of a new figure who had begun to worry the sensibilities of Victorian Britain. Known collectively as The New Woman, this was a group of female writers, who in more than 100 novels, portrayed a radical new idea of femininity that challenged the conventions of marriage and motherhood. However, as Paul discovers through reading a short story called Eugenia by novelist Sarah Grand, some advocated the idea of eugenics through their writing.
For eugenicists, if one means of keeping a ‘degenerate’ working class in check was incarceration, then that either meant prison or, increasingly by the 1890s, the asylum. Some lost their freedom due to ‘hereditary influence’, others to so-called sexual transgression. Paul explains how the ‘vice’ of masturbation was seen as sapping the vitality of the nation. The idea of sexual transgression was to intrude into the Victorian consciousness as never before when, in 1895, Oscar Wilde was found guilty of gross indecency and sentenced to two years in jail.
While Oscar Wilde had made a very public show of defiance, Paul uncovers another leading – and gay - writer of the period, John Addington Symonds, who together with the prominent physician Havelock Ellis, sought to produce a scientific survey of homosexuality. At the London Library, Symonds expert Amber Regis shows Symonds’s rare handwritten memoirs to Paul, which served as a source for the groundbreaking 1897 work, Sexual Inversion. Paul explains how questions of sex and gender also lie at the heart of a very different book, published in the same year - Bram Stoker’s Dracula. Paul explains how Stoker had his finger – or teeth – on the pulse of the 1890s, infusing his novel with many of the decade’s chief preoccupations and growing fears of racial prejudice and immigration.
Paul also meets Natty Mark Samuels (founder of the Oxford African School) reciting a speech by a young West Indian called Celestine Edwards, who took a brave stand against imperial rule and its racist underpinnings. Edwards became the first black editor in Britain, and his pioneering work would be continued by a fellow West Indian, Henry Sylvester Williams, who in 1897 formed the African Association. Outside the former Westminster Town Hall, Paul describes how, in 1900, Williams set up the first Pan-African Conference to promote and protect the interests of all subjects claiming African descent.
Internationally renowned abstract artist Frank Bowling became the first black Royal Academician in 2005. Now 85 years old and the subject of a major retrospective at Tate Britain, Bowling talks to Brenda Emmanus about his long career. Featuring interviews with critics and fellow artists who discuss the significance of his work in the history of British art.
THURSDAY 20 FEBRUARY 2020
THU 19:00 Beyond 100 Days (m000fj9t)
Series 1
20/02/2020
Katty Kay in Washington and Christian Fraser in London report on the events that are shaping the world.
THU 19:30 The Pennine Way (b05sy1ym)
Episode 4
The wilderness of rural Northumberland awaits explorer Paul Rose on the last stage of his Pennine Way journey. Paul makes a remarkable discovery at the Roman archaeological dig at Vindolanda. He also finds out what lies beyond the red flags while on exercise with the Grenadier Guards and why Pennine Way walkers can have a magical experience in the dark skies capital of Europe.
THU 20:00 Walt Disney (b0872yqs)
Episode 2
The life and legacy of Walt Disney, featuring archival footage only recently released from the Disney vaults, alongside scenes from some of his greatest films and the sketches which created them. Those who helped turn his dreams into reality - his friends, family and his animators and designers - reveal the real man behind the legend. They disclose the previously unknown processes, single-mindedness and sometimes sheer unpleasantness and discrimination that lay behind his seemingly effortless masterpieces. Through bankruptcy, strikes, great risk and more, Disney's refusal to accept failure and his single-minded pursuit of his creative vision produced cartoons and movies that would define an entire industry. Both and inspiring story and a cautionary tale about the price of ambition, Walt Disney offers an unprecedented look at the man who created a world and built an empire.
Part two explores Disney's later years as he makes films such as Cinderella and Mary Poppins, and realises his dream project, Disneyland.
THU 21:00 Inside Chernobyl's Mega Tomb (b08650s6)
Documentary which follows the construction of a trailblazing 36,000-tonne steel structure to entomb the ruins of the nuclear power plant destroyed in the 1986 Chernobyl disaster. It films close up with the team of international engineers as they race to build the new structure before Chernobyl's original concrete sarcophagus - the hastily built structure that covers the reactor - collapses.
Built to last just 30 years, the temporary sarcophagus is now crumbling, putting the world at risk of another release of radioactive dust. Radiation levels make it impossible for workers to build the new shelter directly over the old reactor, so engineers are erecting the new megastructure - taller than the tower of Big Ben and three times heavier than the Eiffel Tower - to one side and will then face the challenge of sliding the largest object ever moved on land into place over the old reactor.
THU 22:00 The Ruth Ellis Files: A Very British Crime Story (b09w8jp0)
Series 1
Episode 3
In April 1955 Ruth Ellis shot her lover David Blakely dead. It's a case that shocked the nation and it still fascinates today. It has its place in ushering in the defence of diminished responsibility and the eventual abolishment of capital punishment. We all think we know the story, but why, when it was seemingly such an open and shut case, does it still divide opinion on whether Ruth Ellis got the justice she deserved?
Film-maker Gillian Pachter wants to find out. The result is a fresh investigation with fascinating true-crime twists and turns that also shines a unique light on attitudes to class, gender and sex in 1950s London.
In episode three Gillian turns her attention to Ruth's execution and the last-minute attempts to save her life even though Ruth herself was determined to die. Despite this Ruth decides to change her solicitor and Gillian is intrigued as to the reasons why. When Ruth does finally admit that someone else was involved in the murder, her new solicitor races to the Home Office in a bid to stop the execution.
He isn't alone in not wanting to see Ruth hanged. Gillian looks at the hundreds of letters that were sent by the British public to the government asking for Ruth to be reprieved. It's a fascinating snapshot of British attitudes in the 1950s: the letters point to Ruth's mental state, the domestic violence she'd suffered and even the trauma experienced by those who'd lived through the Blitz.
The police are sent to track down Ruth's other lover, Desmond Cussen, who Ruth now claims gave her the gun and drove her to the scene of the murder. But they can't find him and won't take Ruth's word for it. The Home Office decides to press on with the execution; they worry that if they don't follow through on such a high-profile murder case that this will accelerate the abolition of capital punishment.
Ruth is hanged and Gillian explores the role of her case in the introduction of the defence of diminished responsibility in England and its place in the eventual abolition of capital punishment in Britain in 1965. But Ruth's personal legacy is much more tragic as Gillian explores the effects of the events of 1955 on Ruth's family. This takes Gillian to a taped conversation recorded by Ruth's son in the 1980s, where his despair at what happened when he was ten is movingly clear; Andre lost his mother and he lost David, whom he loved. He took his own life in the 1980s and today his ashes are close to his mother's in a cemetery in Hertfordshire not far from where David Blakely was buried. Three victims of a truly tragic set of circumstances.
THU 23:00 How We Built Britain (b007r7mf)
The West: Putting on the Style
On his architectural tour of Britain, David Dimbleby discovers how the Georgian dream of order and beauty transformed our buildings and cities. Travelling west, he discovers the grandeur of Blenheim Palace, the man-made paradise of Stourhead garden in Wiltshire and the elegance of Bath. He pays tribute to the terraced house, a great British invention, before discovering the tin mines of Cornwall and crossing the mighty Menai Bridge to the Georgian jewel of Dublin.
THU 00:00 Don McCullin: Looking for England (m0002dv0)
Travelogue that follows photographer Don McCullin, now 83, documenting his country from inner cities to seaside towns, on a journey in search of his own nation. Sixty years after starting out as a photographer, McCullin returns to his old haunts in the East End of London, Bradford, Consett, Eastbourne and Scarborough. Along the way he encounters an array of English characters at the Glyndebourne Festival and Goodwood Revival and photographs a hunt and a group of saboteurs aiming to disrupt them. McCullin’s journey is punctuated by scenes in his darkroom, a place he is allowing cameras into for the first time.
THU 01:00 The Silk Road (p03qb25g)
Episode 2
In the second episode of his series tracing the story of the most famous trade route in history, Dr Sam Willis travels west to Central Asia, a part of the Silk Road often overlooked and yet the place of major innovations, big historical characters and a people - the Sogdians - whose role was pivotal to its success.
In the high mountain passes of Tajikistan, Sam meets the last survivors of that race, who once traded from the Mediterranean to the China Sea. In the Uzbek cities of Samarkand and Bukara, he discovers how they were built by armies of captive craftsmen for one of the greatest conquerors the world has ever seen - Timur.
From here, Sam follows the flow of goods back towards the markets of the west, showing how their trading culture sparked cultural, technical and artistic revolutions all along the Silk Road, and goes back to school to learn where modern mathematics and astronomy were born.
THU 02:00 Mars Uncovered: Ancient God of War (m0003m0c)
Bettany Hughes investigates the enduring relationship between warfare and worship, by following the trail through time of the ancient god of war, Mars. She begins in Carthage, site of one of the most significant and bloodiest victories in the history of the Roman Empire and explores the vital role of Mars in Rome's imperial expansion.
Visiting the British Museum, Bettany sees, at first hand, the earliest known evidence of human warfare - a 13,000-year-old graveyard in which many of the bodies showed signs of violent deaths. With bodies so carefully buried, Bettany asks if ritualising and celebrating war is a way of bringing societies together – of creating 'them' and 'us'.
Back in North Africa, at the spectacular Roman amphitheatre in El Djem, Bettany examines the symbolic role of the ‘ludi martiales’, or gladiatorial games, and finds out about the challenge posed by early Christianity to this celebration of war and ritualised death. Travelling to Jordan, she then tells the story of one of the bloodiest episodes in Crusader history and examines how the Christian notion of Holy War played out in practice, with Mars still very much a presence. She then tracks how the figure of Mars was used by artists such as Botticelli and Rubens to examine the inevitability of war, and whether peace might not proffer a better option. Following the World Wars, the red scare, and contemporary conflict in the Middle East, Bettany considers how Mars’s dominion has been sustained and asks whether the benefits of war still outweigh the horrors.
THU 03:00 Inside Chernobyl's Mega Tomb (b08650s6)
[Repeat of broadcast at
21:00 today]
FRIDAY 21 FEBRUARY 2020
FRI 19:00 World News Today (m000fjbp)
The news programme for audiences who want more depth to their daily coverage. With a focus on Europe, Middle East and Africa.
FRI 19:30 Top of the Pops (m000fjbr)
Gary Davies and Bruno Brookes present the pop chart programme, first broadcast on 30 March 1989 and featuring Pat and Mick, Bangles, Roachford, Brother Beyond, Paul Simpson ft Adeva, Transvision Vamp, The The, Guns N' Roses, Fuzzbox, The Cult, Madonna and Kon Kan.
FRI 20:00 ... Sings Disney Songs (b018jpk4)
The BBC takes on the Mouse in a brilliant and sometimes baffling medley of styles and eras blending everything from light entertainment to children's TV, celebrating interpretations of Disney tunes over the last 40 years. The Bare Necessities, When You Wish upon a Star and Zip-a-Dee-Doo-Dah are standout highlights, with more recent pop hits from Celine Dion and Elton John bringing us up to date. Clips come from archive shows including Shirley Bassey, It's Lulu, Top of the Pops, Blue Peter, Brubeck and Louis Armstrong's Show of the Week.
FRI 21:00 Top of the Pops (m000fjbt)
Simon Mayo and Anthea Turner present the pop chart programme, first broadcast on 6 April 1989 and featuring Brother Beyond, Kon Kan, Holly Johnson, Paula Abdul, Coldcut ft Lisa Stansfield, Simply Red, Transvision Vamp, Madonna and INXS.
FRI 21:30 Rock Island Line: The Song That Made Britain Rock (m000433l)
In January 1956, a new pop phenomenon appeared in the UK charts: a British artist playing a guitar. His name was Lonnie Donegan and the song he sang was Rock Island Line.
Donegan’s rough-and-ready style was at odds with the polished crooners who dominated the charts. He played the guitar in a way that sounded like anyone could do it. Rock Island Line sounded like nothing else on the radio and it inspired a generation of British youths to pick up guitars and begin a journey that would take them to the top of the American charts.
Rock Island Line, the biggest hit of the skiffle craze, spoke directly to a generation of British teenagers who had grown up during post-war rationing. Within 18 months of its release, sales of acoustic guitars in the UK had rocketed from 5,000 to over 250,000 a year.
The song began its life in the 1920s as a jingle in the workshops of the Rock Island Line railroad in Little Rock, Arkansas. In 1933, John A Lomax visited Cummins Prison Farm, south of Little Rock, collecting work songs for the Library of Congress. On the day of the recording, a group of eight prisoners, led by Kelly Pace, came up to Lomax’s mic and sang Rock Island Line. Lomax’s driver was the African-American musician who became the celebrated folk singer Lead Belly. He was so impressed that he learned the tune, added verses and made it a staple of his own repertoire.
In the late 1940s, young music fans in the UK began to seek out recordings from the early years of jazz, becoming obsessed with the New Orleans style (known as Trad Jazz) that favoured collective interaction over the prevailing emphasis on soloists. Blowing on their instruments very hard, they found that their lips were numb after half an hour. So as to not lose their audience, they put down their instruments and picked up guitars, a double bass and a washboard.
These ‘breakdown sessions’ were initiated by Ken Colyer, a trumpet player who sought out his heroes in New Orleans. Because he was so familiar with their recordings, he was able to sit in with them, but a white kid playing with black musicians soon drew attention and when he went to renew his visa, he was arrested and held in jail for over two months. Returning to the UK, his brother pulled together a bunch of musicians to form a band that included Chris Barber on trombone, Monty Sunshine on clarinet and, on banjo, Lonnie Donegan. Lonnie was a natural front man, with a voice that sounded American. He stood at the back with the rhythm section during the jazz numbers, but when he came to the front during the breakdown, he grabbed the audience with his renditions of Lead Belly’s most famous songs, Rock Island Line prominent among them. Asked what kind of music they were playing, they replied that it was skiffle.
Now known as Chris Barber’s Jazz Band, they secured an offer to make a record for Decca. When they gathered in the label’s studios on 13 July 1954, it became apparent that the band did not have enough material to fill an album so it was decided that they should record songs from the band’s popular skiffle breakdown. They cut an incendiary version of Rock Island Line as well as another Lead Belly standard, John Henry.
The British record industry was scrambling to find artists who might jump on the rock bandwagon, and someone at Decca remembered Lonnie Donegan. Here was a chap who looked the part - open-necked shirt, acoustic guitar, sounding like an American cowboy, singing about railroads. More importantly, his song had the word ‘rock’ in the title.
In January 1956, Rock Island Line hit the top ten and the skiffle craze was born. Donegan sent a revolutionary message to the youth of Britain: you don’t have to be a trained musician to play this music. When Lonnie toured in late 1956, he took skiffle to the masses. During his six-night stand at the Liverpool Empire, thirteen-year-old George Harrison went every night. His pal, fourteen-year-old Paul McCartney also saw Donegan and promptly asked his dad to buy him a guitar. It is not known if John Lennon saw the show, but just two weeks later he had formed his own skiffle group, The Quarrymen.
Schoolboys in their thousands picked up guitars and formed skiffle groups. The pop charts began to feature other skiffle artists, mostly following Donegan’s Rock Island Line blueprint by recording songs about the American railroad like Freight Train by Chas McDevitt and Nancy Whiskey.
The skiffle craze was short-lived, lasting barely eighteen months, but in that time it inspired a generation of British boys to pick up a guitar and play. It was DIY, self-empowering and set out to challenge the bland chart music of the day. Skiffle provided a nursery for the British invasion of the American charts in the 1960s. We have taken it for granted that British kids always played guitars and wrote their own songs. It was skiffle that put guitars into the hands of the war babies – and all of skiffle’s influence can be traced back to Rock Island Line.
FRI 22:30 Chas & Dave: Last Orders (b01nkdsv)
Documentary which highlights cockney duo Chas & Dave's rich, unsung pedigree in the music world and a career spanning 50 years, almost the entire history of UK pop. They played with everyone from Jerry Lee Lewis to Gene Vincent, toured with The Beatles, opened for Led Zeppelin at Knebworth - and yet are known mainly just for their cheery singalongs and novelty records about snooker and Spurs.
The film also looks at the pair's place among the great musical commentators on London life - and in particular the influence of music hall on their songs and lyrics.
The film crew followed Chas & Dave on their final tour, having called it a day after the death of Dave's wife, and blends live concert footage with archive backstory, including some astonishing early performances and duets with the likes of Eric Clapton. Among the experts and zealous fans talking about their love of the duo are Pete Doherty, Jools Holland and Phill Jupitus. Narrated by Arthur Smith.
FRI 23:25 What Ever Happened to Rock 'n' Roll? (b063h4lm)
Lauren Laverne hosts an all-star discussion from London's iconic 100 Club, asking if rock 'n' roll is in crisis and what it now means in the 21st century. Can rock 'n' roll still be as dangerous and subversive as the original or has it become more about lifestyle and decoration? Joining Lauren are Savages' lead singer Jehnny Beth, Dr John Cooper Clarke and former Animal Eric Burdon. Featuring original contributions from Noel Gallagher, Dave Grohl, Sleaford Mods and Alabama Shakes. Music from Mercury-winning Young Fathers and Matthew E White.
FRI 00:25 50s Britannia (b01sgbw2)
Rock 'n' Roll Britannia
Long before the Beatles there was British rock 'n' roll. Between 1956 and 1960 British youth created a unique copy of a distant and scarce American original whilst most parents, professional jazz men and even the BBC did their level best to snuff it out.
From its first faltering steps as a facsimile of Bill Haley's swing style to the sophistication of self-penned landmarks such as Shakin' All Over and The Sound of Fury, this is the story of how the likes of Lord Rockingham's XI, Vince Taylor and Cliff Richard and The Shadows laid the foundations for an enduring 50-year culture of rock 'n' roll.
Now well into their seventies, the flame still burns strong in the hearts of the original young ones. Featuring Sir Cliff Richard, Marty Wilde, Joe Brown, Bruce Welch, Cherry Wainer and The Quarrymen.
FRI 01:25 Arena (b08d80fd)
Alone with Chrissie Hynde
Arena spends the summer with supercool self-confessed rock chick, Chrissie Hynde - shopping for clothes in Paris, hanging out with Sandra Bernhard in New York, life in London and a special trip back to her home town of Akron, Ohio.
A thoughtful and intimate portrait of a 'lone, hungry, irritable wolf', featuring a glorious live performance at one of London's newest venues.
FRI 03:00 Rock Island Line: The Song That Made Britain Rock (m000433l)
[Repeat of broadcast at
21:30 today]
LIST OF THIS WEEK'S PROGRAMMES
(Note: the times link back to the details; the pids link to the BBC page, including iPlayer)
... Sings Disney Songs
20:00 FRI (b018jpk4)
50s Britannia
00:25 FRI (b01sgbw2)
A Brief History of Graffiti
01:00 SUN (b067fxfr)
A Very British History
01:45 SAT (m000f3xf)
A Very British History
21:00 WED (m000f39b)
A Very British History
03:00 WED (m000f39b)
Abducted - Elizabeth I's Child Actors
00:30 MON (b0bdvxzn)
Arena
01:25 FRI (b08d80fd)
Armando's Tale of Charles Dickens
23:00 SUN (b0195pt7)
Art of Germany
23:30 MON (b00wlrzx)
Art on the BBC
21:00 SUN (m000fj9q)
Art on the BBC
03:00 SUN (m000fj9q)
Art, Passion & Power: The Story of the Royal Collection
00:30 WED (b09qrbvd)
Attenborough: 60 Years in the Wild
20:00 SUN (p00zsrqz)
Beyond 100 Days
19:00 MON (m000fj9w)
Beyond 100 Days
19:00 TUE (m000fj99)
Beyond 100 Days
19:00 WED (m000fj9j)
Beyond 100 Days
19:00 THU (m000fj9t)
Britain's Lost Masterpieces
22:00 SUN (b07xjsqj)
Chas & Dave: Last Orders
22:30 FRI (b01nkdsv)
Clive James
22:00 SAT (m000fj94)
Dangerous Earth
19:00 SUN (b0824cw7)
Don McCullin: Looking for England
00:00 THU (m0002dv0)
EastEnders: Back to Ours
23:00 WED (p02hfc5v)
EastEnders: Iconic Episodes
23:25 WED (m000fj9l)
Francesco's Mediterranean Voyage
19:30 MON (b00cp421)
Hidden
21:00 SAT (m000fd3l)
How We Built Britain
23:00 THU (b007r7mf)
Inside Chernobyl's Mega Tomb
21:00 THU (b08650s6)
Inside Chernobyl's Mega Tomb
03:00 THU (b08650s6)
Inside the Medieval Mind
00:00 TUE (b009s80l)
Iolo's Snowdonia
19:30 SUN (b09rjs4p)
Jigs and Wigs: The Extreme World of Irish Dancing
01:00 TUE (b06zz7t0)
Jigs and Wigs: The Extreme World of Irish Dancing
01:30 TUE (b070w5kk)
King Alfred and the Anglo Saxons
20:00 TUE (b03816y5)
Mars Uncovered: Ancient God of War
02:00 THU (m0003m0c)
Me, My Selfie and I with Ryan Gander
02:00 TUE (m0003g0r)
New Zealand: Earth's Mythical Islands
20:00 MON (b07lp34l)
New Zealand: Earth's Mythical Islands
02:30 MON (b07lp34l)
Raiders of the Lost Past with Janina Ramirez
02:00 SUN (m0008c5c)
Rams: Principles of Good Design
01:30 MON (m0007tp6)
Rick Stein's Long Weekends
19:00 SAT (b079w1jx)
Rick Stein's Long Weekends
02:45 SAT (b079w1jx)
Rock Island Line: The Song That Made Britain Rock
21:30 FRI (m000433l)
Rock Island Line: The Song That Made Britain Rock
03:00 FRI (m000433l)
Royal History’s Biggest Fibs with Lucy Worsley
21:00 TUE (m000fj9c)
Royal History’s Biggest Fibs with Lucy Worsley
03:00 TUE (m000fj9c)
South Pacific
20:00 SAT (b00kjjnx)
Storyville
22:00 MON (m000flgx)
The 80s with Dominic Sandbrook
21:00 MON (b07pr1b5)
The Beauty of Anatomy
19:30 TUE (b04gbdwt)
The Beauty of Anatomy
19:30 WED (b04gvbdt)
The Pennine Way
19:30 THU (b05sy1ym)
The Ruth Ellis Files: A Very British Crime Story
22:00 TUE (b09vpgr7)
The Ruth Ellis Files: A Very British Crime Story
22:00 WED (b09w3m05)
The Ruth Ellis Files: A Very British Crime Story
22:00 THU (b09w8jp0)
The Salesman
22:45 SAT (m000fj96)
The Silk Road
01:00 THU (p03qb25g)
Timeshift
00:00 SUN (b06b36q3)
Timeshift
23:00 TUE (b0105r8x)
Top of the Pops
00:45 SAT (m000f8x5)
Top of the Pops
01:15 SAT (m000f8x9)
Top of the Pops
19:30 FRI (m000fjbr)
Top of the Pops
21:00 FRI (m000fjbt)
Victorian Sensations
01:30 WED (m0005hhg)
Walt Disney
20:00 THU (b0872yqs)
What Do Artists Do All Day?
02:30 WED (m0005ws0)
What Ever Happened to Rock 'n' Roll?
23:25 FRI (b063h4lm)
World News Today
19:00 FRI (m000fjbp)
World's Busiest Railway 2015
20:00 WED (b0684sg2)