SATURDAY 02 OCTOBER 2010

SAT 19:00 Nature's Great Events (b00j8g9g)
The Great Feast

Every summer in the seas off Alaska humpback whales, sea lions and killer whales depend on an explosion of plant life - the plankton bloom. It transforms these seas into the richest on earth. But will these animals survive to enjoy the great feast?

The summer sun sparks the growth of phytoplankton, microscopic floating plants which can bloom in such vast numbers that they eclipse even the Amazon rainforest in sheer abundance of plant life. Remarkably, it is these minute plants that are the basis of all life here.

But both whales and sea lions have obstacles to overcome before they can enjoy the feast. Humpback whales migrate 3,000 miles from Hawaii, and during their three-month voyage, lose a third of their body weight. In a heartrending scene, a mother sea lion loses her pup in a violent summer storm, while another dramatic sequence shows a group of killer whales working together to kill a huge male sea lion.

In late summer, the plankton bloom is at its height. Vast shoals of herring gather to feed on it, diving birds round the fish up into a bait ball and then a humpback whale roars in to scoop up the entire ball of herring in one huge mouthful.

When a dozen whales work together, they employ the ultimate method of co-operative fishing - bubble net feeding. One whale blows a ring of bubbles to engulf the fish and then they charge in as one. Filmed from the surface, underwater and, for the first time, from the air, we reveal how these giant hunters can catch a tonne of fish every day.

In Swallowed By a Whale, cameramen Shane Moore and David Reichert were filming bait balls when a 30-tonne whale roared past, within feet of them, swallowing the entire bait ball.


SAT 20:00 Michael Wood's Story of England (b00tzmsd)
Domesday to Magna Carta

Groundbreaking series in which Michael Wood tells the story of one place throughout the whole of English history. The village is Kibworth in Leicestershire in the heart of England - a place that lived through the Black Death, the Civil War and the Industrial Revolution and was even bombed in World War Two.

Wood's unique portrait moves on to 1066 when the Normans build a castle in Kibworth. He reveals how occupation affected the villagers from the gallows to the alehouse, and shows the medieval open fields in action in the only place where they still survive today.

With the help of the residents, he charts events in the village leading to the people's involvement in the Civil War of Simon de Montfort. Intertwining the local and national narratives, this is a moving and informative picture of one local community through time.


SAT 21:00 Wallander (b00mk3sg)
Series 1

The Castle Ruins

When an old man is murdered at a luxury housing development by the sea, suspicions fall on the residents. It seems that their perfect lives are not so perfect after all.

In Swedish with English subtitles.


SAT 22:30 Mad Men (b00tzmsg)
Series 4

The Rejected

Drama series set in 1960s New York. Pete gets some bad news and some good news, which affects Peggy more than she can say. Allison can't keep her feelings under wraps.


SAT 23:15 Crooked House (b00gf5cz)
The Wainscoting

When schoolteacher Ben unearths an old door knocker in the garden of his new home, the curator suggests it may come from the now-demolished house, reputed to be haunted. Ben prompts the curator to tell him stories about the house's past.

It's 1786, and Joseph Bloxham is a self-made man and something of a star in fashionable coffee-house society. Some though, like the sceptical Noakes, take a dim view of his shady business ethics. Bloxham has used his ill-gotten gains to buy the old Geap Manor, paying no heed to the warnings of Noakes and his friend Duncalfe, but when Bloxham starts to hear ghastly sounds in the newly-installed panelling of his drawing room it seems he might have more than just a mouse hiding in his wainscoting.


SAT 23:45 The Born Free Legacy (b00tzm01)
Born Free caused a sensation when it was first published in 1960. As well as topping the New York Times bestseller list, the book, and the Hollywood film that followed, made a massive impact on conservation and science and our fundamental attitudes to wild animals and the environment.

This documentary marks the 50th anniversary of Born Free's publication by revisiting the inspirational story of Austrian artist and author Joy and her husband George Adamson, a warden turned wildlife conservationist. The account of the couple's experiences and adventures in East Africa as they raised an orphaned lioness cub, and their success in training her to survive in the wild, won the hearts and minds of people around the world and challenged the conventional view of wild animals as being without personalities, emotions or individual rights.

The extraordinary relationship between Elsa the lioness and her adopted 'parents' caused a seismic shift in popular attitudes towards animals and left a legacy that is as controversial today as it is fondly celebrated.

The documentary was filmed on location in Kenya and draws on extraordinary archive, including home video footage filmed by Joy and George, shot over the course of 50 years. Featuring contributions from their many friends, associates and contemporaries, it gives a remarkable insight into the personal lives and work of a couple who contributed to a sea change in our view of our relationship with wild animals and our place on the planet.


SAT 00:45 Wildlife in a War Zone (b0074sft)
Sanjayan Muttulingam was forced to flee Sierra Leone when civil war erupted. Now a biologist in the United States, Sanjayan returns to his native land to find out what has happened to the animals which inspired him and the people he left behind.


SAT 01:45 Murder on the Lake (b00qjngb)
Joan Root, with her husband Alan, produced beautiful and famous natural history films, born of her deep love of Africa and its flora and fauna. This delicate but determined member of Kenya's Happy Valley was gunned down in January 2006 by intruders bearing AK-47s. Four men were charged with her murder, including David Chege, the leader of a private vigilante group Root herself had financed to stop the illegal fishing that was killing Lake Naivasha, the beautiful lake beside which she lived.

Chege was from Karagita, the largest of the slums that has sprung up beside the lake in the last twenty years. In that time, the population of Naivasha has rocketed from 30,000 to 350,000 as a desperate tide of impoverished migrant workers arrived in search of employment on Kenya's flourishing flower farms. This has created squalor, crime and, in the minds of Root and her fellow naturalists, ecological apocalypse.

This film tells the story of the extraordinary life and brutal death of Joan Root, and of her campaign to save the lake she loved. Who killed Joan Root? Was it the fish poachers, whom Root stopped from plying their illegal trade in a bid to save her beloved Lake Naivasha? Was it her loyal lieutenant Chege, whom Root ultimately cut off from her payroll? Or was it one of her white neighbours, with whom Root had feuded?

Through the telling of Root's story, the film opens a window onto contemporary Africa and the developed world's relationship to it. For it is the Kenyan rose, which is exported by the millions on a daily basis from Naivasha, that has brought not just jobs and foreign exchange earnings, but a population explosion that has caused the destruction of the environment Root worked so hard to stop. Her campaign may have ultimately cost her her life.


SAT 03:15 The History of Safari with Richard E Grant (b00s6b8q)
Episode 1

For almost 100 years, big game hunters - from Theodore Roosevelt to the British Royal Family - came to British East Africa to bag the 'big five'. Now, luxury 'eco safaris' continue to drive its economy. It has been both East Africa's damnation and its salvation that wildlife is the greatest natural resource it possesses.

Richard E Grant - who grew up in Swaziland - examines the controversial history of the safari. Exploring the world of the big game hunters and the luxury of today's safaris, he goes on a personal journey to experience how the beauty of the bush made Africa the white man's playground.

Plotting the major landmarks in the development of the safari, Grant uncovers a world of danger, glamour and gung-ho. He reveals how the safari was continually reinvented as explorers and ivory hunters were replaced by white settlers, guns gave way to cameras and direct British rule to independence.

He discovers how safari became one of the central constructs through which British rule over East Africa was imposed, provided the social touchstone for the white settlers and was eventually transformed by the glamour of Hollywood, the power of the dollar and the traveller's desire for an 'authentic African experience'.

As someone born and raised in the privileged world of the ex-pats, Grant takes an insider's perspective on the scandals and adventures of the elite class of Brits who ran the show. He meets their descendents and delves into the rich material archives of their family homes, discovering that for the remaining whites in the region this history is still very much alive.

As the trophy hunt became an icon of high society, everyone from Ernest Hemingway to British nobility and Hollywood stars were soon clamouring for a piece of the action. And as hunters decimated Africa's wildlife, they also surprisingly introduced the first conservation laws, if only to protect the supply of animals to shoot.

Embarking on safari himself, Grant experiences the beauty and the danger of being up close to the big game animals and accompanies modern hunters on safaris, where animals are still killed and the patrons still argue that hunting equals conservation.

The film is full of frontier colonial characters whose lives, exploits and attitudes describe a very particular time in Britain's relationship to Africa and its wildlife, when the continent was part Wild West, part idyll and part colonial experiment - where life could be lived between the crack of rifles at dawn and the setting of the sun at cocktail hour, largely oblivious to the indigenous Africans themselves.

Through creative use of film and photographic archive, as well as actuality with those involved in big game hunting and luxury safaris today, the documentary evokes the spirit of decadence, exploration and adventure of the safari. Ultimately, it reveals how safari has been and continues to be a barometer of our attitudes to travel, our colonial inheritance and Africa itself.


SAT 04:45 Churches: How to Read Them (b00tx33j)
Restoration and Reason

Church life in the 18th century is often thought to have been genteel and rather dull, but Richard Taylor finds that churches in this Age of Enlightenment reflect the intellectual excitement, the vigour and the potential for conflict of a turbulent time.

Richard shows how the symbols in even the most everyday parish church reveal the ever-closer identification between church and state and he tries out the extraordinary triple-decker pulpit at St Mary's in Whitby. In a lightning tour of the London churches of Sir Christopher Wren and Nicholas Hawksmoor, he discovers how they reflect the latest scientific insights and archaeological discoveries of the age. And in the startling simplicity of Baptist and Methodist chapels and meeting houses, he taps into the burgeoning spirit of dissent that brought the monopoly of the parish church to an end.